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Western Electric
The Borderline London 31 May 2000
The London debut of Western Electric saw the band supported by the feisty US singer-songwriter Amy Rigby. Her set consisted of songs rich in humour and an edge which suggested that you wouldn't want to cross her just before she recorded a new album. After a handful of solo acoustic efforts, she was joined by Western Electric for the rest of her set, which gave her a fuller sound but meant that some of her vocals got lost beneath the instrumental volume.
 
Amy's departure saw the arrival of Western Electric on to the stage complete with the album cover projected onto the wall behind Dave Morgan's drums and a rotating light box projecting vaguely psychedelic colours over it. Sid announced that they were going to take us through the album and they began as though he meant it. The first five songs from the set merged into one another with no between song chat or breaks. The opening Theme From... was strong, and whilst Emily In Ginger was perhaps less moody than previously, the superb When I'm Out Walking With You more than made up for it, despite a fluffed vocal from Sid.
 
Neil Robert Herd, who spent most of the gig at the pedal steel added vocals to Pat's 10-4 which also saw some great guitar work from Sid, making it one of the early highlights. Likewise, Whirlwind has Sid ending with an indulgent guitar solo which eventually closed the initial part of the set to great effect.
 
Sid then joked about the closure of Wembley Stadium, introducing the story of Pat's wish to use his new found banjo skills on a heavy metal covers band called Ban Jovi!
After this humorous break in the proceedings, the set continued in a slightly lighter tone. Carousel Days featured a great harmonica ending from Sid, before he switched to mandolin and Neil Robert Herd strapped on his guitar to play Love You Down. Then the Rickenbacker came out for a very well received cover of Gene Clark's Straight From The Heart, with all three front men sharing the vocal harmonies. Pat then swapped his bass for banjo for an imperfect but enjoyable Memory Capture Time.
 
The band were looser now than before and the constraints of playing only album material gone. Amy Rigby rejoined them onstage to help cover A Song For You, before the band returned to Western Electric to play out the rest of their main set, finishing off with a typically lively version of Everything.
 
Surprisingly, there was an encore. "The fast one" in the shape of 100 Hundred Years From Now, was followed by the old Long Ryders' classic Ivory Tower which has not been heard live for many a year. With Sid urging the crowd to cheer so that they could play one more, he returned to the mandolin as the band ended the night with quite possibly their finest ever version of He Was A Friend Of Mine.
 
This was a solid and confident performance from Western Electric. More importantly the music itself stood up to a live presentation. With Western Electric being such a change in direction from The Coal Porters, there was always a danger that what sounded ambitious on record might not make the transition to the live circuit, but this was not the case. The songs came across extremely well. The Hillman-Parsons tribute shows have given Sid and Pat the confidence to switch to banjo or mandolin with ease, whilst Neil is more than competent on the pedal steel. Behind them all, Dave Morgan held it all together and kept it tight. Whilst The Borderline was far from full, there was a healthy and favourable audience in town and they were clearly satisfied by what they saw and heard. This may not be the last time we see Western Electric on stage

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This page last updated 12 March 2001