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The Coal Porters: EP Roulette (Prima, SID008)
At the time of writing I have yet to see or hear this new release but needs must when there's a fanzine to put out and it never seems to stop the music press so, armed with a track listing, memories of live renditions and some detail from Mr Griffin himself here goes!
 
This mini-album represents the first new band material since 1995's Los London album, contributions to compilations excluded. The tracks divide themselves nicely into three pairs, each pair representing something slightly different.
 
First up are the two new tracks, both of which act as previews for the forthcoming Western Electric full length album where they will reappear in different versions. Everything is in the vein of Me.Here At Your Door, an electrified piece of rock/pop with a gorgeous keyboard part and a catchy refrain. Credited jointly to Sid and Pat, the lyric includes what could be the two committing themselves to a life of pursuing their love of music, "The day that I give up my dream/Is the day that I lose everything". This is without doubt a classic Coal Porters' song and will prove very popular at the band's upcoming gigs both in the UK and abroad. Next up is Emily In Ginger, the newest song on the EP and a beautifully poised track with a Byrds feel to it. The backing vocals give it an ethereal feel and despite the Byrds reference this is a most atypical Coal Porters song but delightful nonetheless. These two opening tracks must help to encourage sales of the band's autumn release, as they are in my humble opinion two of the best songs the band have ever produced.
 
The middle pairing come in the form of cover versions from two extreme sources. First up is the John Fogerty song Who'll Stop The Rain. This has actually appeared before on the Finnish John Fogerty tribute compilation album, but unless you have a specialist Finnish CD import shop in your high street, it is to a great extent a previously unavailable, unreleased track. Stripped down, the song features Sid, Pat and Bob, but it's a strong version and its' appearance here may well encourage the band to play it live more often which will be a real treat. The second cover is Don't Fence Me In, from the pen of the band's namesake Cole Porter, which I guess is in lieu of a bad pun on this record. It's a fine tune, and very lively with the band sounding like they're having fun whenever I've heard it. It too should go down well on tour if played.
 
Finally, two songs which cast a backward looking eye to the last album. Help Me, here remastered , with its' Neil Young aspirations is superb and a monumental piece, a great live opener and the perfect example of how the band can really lay it on heavy when they want to. Los London is also represented by a live version of Me.Here At Your Door, taken from a BBC Radio Scotland session. This is more jangly than Help Me and perhaps more likely to appeal to the casual listener, unfamiliar with the band's previous work. The 'lost' single from the last album, this is brilliant stuff, always a personal favourite, and with the aforementioned track points people to The Coal Porters' back catalogue.
 
Whilst this release is clearly not the full length album that was originally promised, it can only whet the appetite even more for that release. EP Roulette acts like a record company promo by saying "Look, this is what you can look forward to in the autumn, and why not check out the band's last album Los London whilst you're waiting". Whilst most Coal Porters' fans will doubtless own at least a third of th is already, albeit in different versions, this is The Coal Porters at their very best. At a wallet loving mid-price as well, I can find absolutely no fault whatsoever with this release. Biased? Sure. Wrong? No way. Roll on September.

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This page last updated 12 March 2001